For your amusement, I present a book review of Eaten from an Austrian academic specializing in contemporary literature by the name of Michael Fuchs. I came across his book chapter last week, buried deep within Google offerings, while looking for something else. I laughed all the way through it.
Here is the abstract:
“This chapter draws on Margaret Atwood’s vision of Canada as a Gothic space, examining how contemporary texts continue to invoke imagery of human and animal as antagonists competing for the same space. Fuchs analyzes a corpus of three “bear horror” fictions, the horror film Backcountry (2014) and two novels, The Bear (2014) by Claire Cameron and Susan J. Crockford’s near-future polar bear-themed Eaten (2015). It argues that animal predation on humans provides a powerful symbolic vehicle for bridging the human–animal divide, as it overrides the theory of human exceptionalism, offering a critical view of the entanglement of humans and nonhumans in the Anthropocene.”
A friend that I shared the essay with commented:
“My favourite sentence (new word of the day, class, please use “diegetic” in a sentence):
“These constant slippages between ontological levels puzzle the reader in ways similar to how Anna is confused by the goings-on in the diegetic reality.” [pg. 263]
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