In a move that echoes the collaboration of activist organization World Wildlife Fund (WWF) with Netflix that brought us Sir David Attenborough’s walrus deception in ‘Our Planet’ that I chronicled in my latest book, ‘Fallen Icon’, streaming service DisneyNature has joined with activist organization Polar Bears International (PBI) to create a polar bear ‘documentary’ (called ‘Polar Bear’) that we can tell is propaganda because they’ve chosen to release the “cute and worrying” film on Earth Day (Friday 22 April 2022). In fact, the two films have a producer in common: Alastair Fothergill.
In the case of ‘Our Planet’, WWF bankrolled the film series for Netflix to ensure the content they desired; in ‘Polar Bear’, the tables are turned: DisneyNature is paying PBI for their assistance getting the polar bear film shots and providing their biased content, via money they are calling a research grant. I think you know by now what to expect. However, here are the facts about polar bear conditions in Svalbard, where the film was shot, and some good news from Western Hudson Bay this year, courtesy of Mike Reimer and his team at Churchill Wild. In short, there is still no climate emergency for polar bears: the hype is based on old models that failed spectacularly and new ones which depend on old data and totally improbable climate scenarios (Crockford 2017, 2019; Hausfather and Peters 2020; Molnar et al. 2020).
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